Artist Bio

W. Patrick O’Brien was born and raised in Houston, Texas. After his parents gifted him with a Kodak Hawkeye camera on his 10th birthday, Patrick developed a fascination for viewing the world through the window of a camera viewfinder. However, it was his love of music that introduced him to album cover graphics, especially with the psychedelic art of that time, which changed how he viewed graphic content. 

 

Initially a Journalism major at the University of Houston, Patrick's fascination with graphics  intensified while taking a photojournalism class and working in an analog darkroom.  After taking a class in Ansel Adams’ Zone System, he changed majors and graduated with a Bachelor of Arts Degree in Media Communications, with an emphasis on Audio/Video/Still production.      

 

After receiving his degree, Patrick worked as a darkroom technician and assistant photographer for commercial photographers and photo labs in Texas and California.  Eventually, he gained employment at a law enforcement agency, where he was responsible for forensic audio/video investigations, non-forensic audio/video/still productions, and digital darkroom duties, until he retired after 24 years of service.

 

Since then, Patrick has challenged himself to create images that are imaginative, engaging, and thought-provoking.  He credits Man Ray, Rene Magritte, Jerry Uelsmann, and Aaron Siskind as major influences. He is a member of the Williamson County Art Guild, Texas Photographic Society, and Christians In Visual Arts (CIVA).  His images have been shown at a multitude of juried exhibits throughout Texas and California. 

Patrick with his Hawkeye - 1964

Statement:

A Third Eye

 

or

 O'Brien's Lesson on Art and Metaphysics

 

A third eye. Defined as a spiritual concept associated with enlightenment, W. Patrick O’Brien believes he has one. This figurative third eye views and interprets the physical elements of light, shapes, and colors beyond what is considered typical, mundane, or prevailing.  It clarifies and removes all ambiguity to Patrick's visualizations. It is what motivates and creates. 

 

Patrick has always been fascinated by the dichotomies or polar differences of our existence: light or dark, love or hate, true or false, black or white.  He believes we can define all things under these basic categories. These dualities dictate how we live.and how we view the world.  And how we interpret sensory input.  We see what is in front of us, as well as what is inside our minds (our mind’s eye).  It is no surprise to Patrick that “image” is the root word of “imagination”, which is defined as the faculty of forming mental images. His visualizations are mental images of light and shadow, interpreted atypically to bring to focus the duality of the mundane and the ethereal, the abstract and the natural. According to Patrick, no other artist describes his motivation better than Rene Magritte, who stated:

 

  "Too often we tend to reduce what is strange to what is familiar. I intend to restore the familiar to the strange."